The Zandu business grew rapidly, and we became debt-free within two years of the deal.
Having even taken recourse to changing their faith to save their houses from being razed, the residents of Rampur's Valmiki Basti now hope better political sense prevails. Dhruv Munjal reports
'I don't know how they dared to send Krrish for a National Award. It was a horrible film! Films like Dabangg and Bang Bang are trash films. Goliyon Ki Rasleela: Ram Leela was so bad; only the music was good. Straight talk from Garm Hava director M S Sathyu.
Instead of repealing Section 295A of the IPC, which criminalises speech that offends the religious, India intends to further criminalise offence against religion, says Mihir S Sharma
'The starting point of the Udta Punjab casting was that we didn't think stars would do a film like this, so we'd take non-stars. As the names kept rolling in and we had Kareena Kapoor and Shahid and Alia Bhatt, I was like yaar yeh ho kya raha hai?'
A round-up of Ranji matches played on Friday
'The new Indian cinema has still not found its voice and identity. It's trapped under the deadwood weight of Bollywood and popular Indian cinema.'
'I am a very personal writer. I write direct to the reader. I don't hold back,' says India's most loved writer, Ruskin Bond.
'What hurts people most is dynastic impulses and corruption under a family-ruled Congress party -- and Nehru has borne the brunt of it... I cannot be blinded by how the Nehru family has functioned but just as Gandhi can't be judged by his descendents, why should Nehru?' asks political scientist Ashutosh Varshney.
'They are busy making films that suit their purpose. If it suits their purpose to make a Slumdog Millionaire, they will make it.' 'Why are we so upset about not getting an Oscar or producing Oscar quality work? Just look at the quality of work that is venerated by the Oscars. It is not particularly great work. Why are we so desperate to get acknowledgment from the West?'
'The unique achievements have been made by engineers from small towns who have had a non elite upbringing and who have grown with the programme,' says R Aravamudan, one of the pioneers of the Indian space programme.
'Smita Patil was the reason I got into films. She kept telling me to get into films but I said I was happy doing theatre, I don't like films. Today, when I look back, I don't think I disliked films. Maybe I thought who would take me in films? I think it was a complex.' Nana Patekar looks back at his life.
